By Motoko Tanaka (auth.)
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Additional resources for Apocalypse in Contemporary Japanese Science Fiction
Such fiction often used elements of science fiction such as utopias, parallel universes, and futuristic worlds in outer space. For example, in Kanna Shun’ichi’s Hoshi sekai ryokō (Travel in Outer Space), published in 1881, the main character visits planets outside of the solar system and studies their science, sociopolitical systems, ethics, and so on. One planet is described as a cooperative totally lacking government, where everything is equal. On this planet people do not work since they have biologically artificial human beings for labor.
For example, Jean-François Lyotard’s famous declaration of postmodernism as “incredulity toward meta-narratives” includes the argument that modern progressivism has ended. 29 The social norms and ideals of human rationality, political ideologies of modern nation-states, and productivity have become invalid in the postmodern world. The modern apocalypse of progressivism has been sentenced to death, yet apocalypse as a form lives on; principle elements in the traditional apocalypse narrative are again incorporated into the postmodern apocalypse.
It is not widely known that British novelist D. H. Lawrence wrote on the Apocalypse of John in the 1920s and emphasized the fact that the book is filled with The Trajectory of Apocalyptic Discourse 25 hatred, enmity, and desire for hegemony over the oppressor. 42 Among recent studies, feminist postmodern philosopher Lee Quinby claims in her AntiApocalypse that apocalyptic discourse thwarts freedom and democracy. She reviews the relationship between power, truth, ethics, and apocalypse using Foucault’s genealogy, and asserts that apocalyptic doctrine is the urge to unify, to homogenize, and to dualize.
Apocalypse in Contemporary Japanese Science Fiction by Motoko Tanaka (auth.)