By Terry Glaspey
A number of the maximum painters, musicians, architects, writers, filmmakers, and poets have taken their suggestion from their religion and impacted thousands of individuals with their wonderful creations. Now readers can detect the tales in the back of seventy-five of those masterpieces and the artists who created them. From the artwork of the Roman catacombs to Rembrandt to Makoto Fujimura; from Gregorian Chant to Bach to U2; from John Bunyan and John Donne to Flannery O'Connor and Frederick Buechner; this publication unveils the wealthy and sundry inventive background left by way of believers who have been masters at their craft.
Author and historian Terry Glaspey stocks the soaking up precise tales in the back of those masterpieces and is helping readers see the interesting information they may have neglected. through searching through the eyes of those inventive artists, readers will achieve deeper views in regards to the human , the Christian tale, and their very own non secular lives.
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Extra resources for 75 masterpieces every Christian should know : the fascinating stories behind great works of art, literature, music, and film
The Voyage of Life, Thomas Cole (paintings, 1842) 155 34. The Light of the World, William Holman Hunt (painting, 1854) 161 35. The Heart of the Andes, Frederic Edwin Church (painting, 1859) 165 36. 1871) 170 37. The Brothers Karamazov, Fyodor Dostoyevsky (novel, 1879) 174 38. La Sagrada Familia Cathedral, Antoni Gaudi (cathedral, begun 1882) 178 39. Starry Night, Vincent van Gogh (painting, 1889) 183 40. The Life of Our Lord Jesus Christ, James Tissot (paintings, 1896) 188 41. The Annunciation, Henry Ossawa Tanner (painting, 1898) 192 42.
The cathedrals were decorated with images not only of the supernatural world but also of the natural world, with images illustrating the everyday life of the average person. We see clouds, seas, vines, leaves, trees, insects, birds, sheep, fish, and domestic animals in the windows and statues. We see portraits of people busy at work at their trades, or engaged in some virtue or vice. Alongside these natural images we find portrayals of the biblical miracles, glorious angelic figures, and terrifying demons.
It is almost a certainty that they brought the book with them. Hence it has come to be called The Book of Kells. And what a book it is. The monks of Kells adapted Celtic artistic traditions to fit the Christian message. Although we can place no names to the anonymous scribes who copied out the text and embellished it with imaginative and sometimes playful images, many scholars believe it shows the artistry of at least three distinctive hands. Ultimately, however, it is the product of the entire monastery working together to dry and prepare the animal skins necessary for making the parchment (it is said to have required the skins of 150 calves to provide enough pages for the book), to grind and prepare the colors (the blue, in particular, which is used extravagantly, came from lapis lazuli, a semiprecious stone that in those days was as priceless as gold), to gather and cut and sew the parchments into a codex (book form), and to sit at their desks for hours every day to painstakingly copy and paint and illuminate the manuscript.
75 masterpieces every Christian should know : the fascinating stories behind great works of art, literature, music, and film by Terry Glaspey